Silk specially used for painting and calligraphy and manufacturing method thereof

Abstract

The invention provides a silk specially used for painting and calligraphy and a manufacturing method of the silk specially used for the painting and calligraphy, and belongs to the field of supporting body material of the painting and calligraphy. An effect rendering layer (2) is fixedly bonded below a pure silk layer (1). A lining layer (3) is fixedly bonded below the effect rendering layer (2). The effect rendering layer (2) is composed of raw materials, by weight, 25-40 parts of sticky rice starch, 15-25 parts of sodium carboxy methyl cellulose, 2-9 parts of cyclodextrin, 0.02-1.0 part of polyvinyl acetate, 0.2-1.5 parts of nanometer titanium dioxide, 10-20 parts of plant fiber, 0.04-0.2 part of surface active agent, 0.02-0.15 part of preservative, and 0.01-0.1 part of antioxygen. The manufacturing method of the silk specially used for the painting and calligraphy has the advantages of being simple, convenient and easy to implement, low in energy consumption, and easy to produce. The silk specially used for painting and calligraphy has excellent durability and ink moistening performance, works wrote or painted on the silk is abundant in layers and vivid in pattern, the silk specially used for painting and calligraphy is not prone to be torn or stabbed, mounting is simple and convenient, and gorgeous gloss of silk is possessed.

Description

technical field [0001] A special silk for calligraphy and painting and a production method thereof belong to the field of carrier materials for calligraphy and painting. Background technique [0002] First of all, although the calligraphy works and traditional Chinese painting works using rice paper as the carrier are thin and have good embellishment effects, they have poor flatness when writing, and are easy to tear, puncture or break, making it difficult to mount; secondly, due to modern industrial With continuous development, there are more emissions in the air. Many acidic oxides will condense into acid gas in a humid environment or in rainy weather. The rice paper for calligraphy and painting works will turn yellow, harden, become brittle, and deformed. situation, it is difficult to preserve. Especially the calligraphy and painting works hung indoors are exposed to light with a color temperature of 2700K~6500K for a long time, and the photoaging of rice paper is more s...

AI Technical Summary

Problems solved by technology

[0002] First of all, although the calligraphy works and traditional Chinese painting works using rice paper as the carrier are thin and have good embellishment effects, they have poor flatness when writing, and are easy to tear, puncture or break, making it difficult to mount; secondly, due to modern industrial With continuous development, there are more emissions in the air. Many acidic oxides will condense into acid gas in a humid environment or in rainy weather. The rice paper for calligraphy and painting works will turn yellow, harden, become brittle, and deformed. situation, it is difficult to preserve

Especially the calligraphy and painting works hung indoors, under the light with a color temperature of 2700K~6500K for a long time, the photoaging of the rice paper is more serious, causing the calligraphy and painting works to become old and discolored, which does not match the interior decoration style

[0003] In the prior art, needle-punched non-woven fabric is used as the surface layer to make composite water-based writing cloth, but the glossiness of the surface layer of the non-woven fabric is poor, and the ink moistening effect is not ideal, so it is not suitable for making high-end calligraphy and painting works

There are also great difficulties in using textile fabrics as the surface layer to write and draw with brushes. Because textile fabrics are generally formed by interweaving warp and weft, if you moisten the brush on textile fabrics, it will appear different from the situation on rice paper. The swelling of the fiber after moisture absorption has swelling anisotropy. With the moisture absorption of the fiber, it will cause the fiber to expand, and the growth along the diameter direction is much higher than the growth in the length direction, and the degree of growth in the warp direction and weft direction is different. Bad effects of wetting

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