Three-dimensional silk tapestry product and weft weaving process thereof

Abstract

The invention relates to a three-dimensional silk tapestry product and a weft weaving process thereof. The invention adopts the technical scheme that: the three-dimensional silk tapestry product is characterized in that a silk tapestry layer is woven outside a three-dimensional product. The weft weaving process comprises the following steps of: selecting the three-dimensional product, and reserving white at a place for weaving the silk tapestry layer and drawing a draft; winding a circle of wefts at the lowest end of the three-dimensional product, fixing three fixed warps at least on the wefts, and then winding the wefts around; when each circle of wefts pass through the fixed warps and the fixed warps go around the wefts for one circle, making a knot, and then continuously winding the wefts till the white reserved part which needs silk tapestry is fully wound with the wefts; taking two black and white warps to lift the wefts respectively; making a line lift on each weft to form two groups of line lifts; alternately upwards lifting the line lifts according to the pattern on the draft at the white reserved part, threading the warps by using a weft needle, and weft-weaving patterns; and after the weft-weaving is finished, shearing the redundant thread ends on the silk tapestry layer. The process realizes overlap weaving of silk tapestry on the three-dimensional product so as to form the three-dimensional silk tapestry product.

Description

technical field [0001] The invention belongs to the field of handicrafts, and in particular relates to a three-dimensional Kesi product with a Kesi layer. Background technique [0002] Kesi is an ancient Chinese traditional art with high artistic and economic value. Its sophistication and beauty are unparalleled. But it was once in decline and almost disappeared. Because from ancient times to the present, Kesi products are just a piece of cloth, which limits its practical applicability. People can only put it in a frame or simply place it like a quilt. Such high-end works of art cannot give full play to the flexible and varied decorative functions that works of art should possess. Large-scale works set in large frames will be restricted by the venue and space, making it very inconvenient to place and store. [0003] And some three-dimensional products such as porcelain products are flexible and practical, and their artistry and decoration are also good, but their clay p...

AI Technical Summary

Problems solved by technology

Such high-end works of art cannot give full play to the flexible and changeable decorative functions that works of art should have.

Large-scale works in a large frame will be restricted by the venue and space, making it very inconvenient to place and store

[0003] And some three-dimensional products such as porcelain products are flexible and practical, and their artistry and decoration are also good, but their clay products can only be seen in their glaze color, which is hard, cold and fragile, and has not changed for thousands of years.

[0004] The traditional Kesi process is to pass through the warp and cut the weft, so it can only produce flat products. However, three-dimensional products, especially Kesi on porcelain, are difficult to do Kesi on because of their changing shapes.

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