Vertical acoustic and electric-acoustic dual-purpose Chinese lute

Abstract

The invention discloses a vertical acoustic and electric-acoustic dual-purpose Chinese lute. The vertical acoustic and electric-acoustic dual-purpose Chinese lute is characterized in that a double-coil pickup (4) is arranged on a belly panel, is close to the tail end of the belly panel, is arranged between strings and the panel, is connected with an electric-acoustic output jack by a volume controller (6) and is used for outputting electric-acoustic tone; a piezoelectric sensor (7) is arranged on an attached handle (3), is arranged between a saddle and a ponticello, is connected with an acoustic output jack by a second volume controller or a switch and is used for outputting traditional tone. The vertical acoustic and electric-acoustic dual-purpose Chinese lute has the advantages that the traditional Chinese lute is improved, so that the traditional classic folk music can be played in a self-amplification manner on the basis that the tone and the shape of the traditional Chinese lute are kept, and can be replaced by the electric-acoustic tone by means of free switching, and the vertical acoustic and electric-acoustic dual-purpose Chinese lute is suitable for playing music in music festivals, outdoor environments or electric-acoustic concerts.

Description

technical field [0001] The invention relates to a dual-purpose pipa of original sound and electric sound, which belongs to the technical field of musical instruments. Background technique [0002] Pipa is one of the most representative plucked stringed instruments in China, with rich and varied fingerings, strong expressiveness and enduring performance. Its repertoire also has a long history, reflecting the life style of each era. Pipa itself is a history of continuous development and evolution. How to make it a musical instrument that combines ancient and modern times and combines Chinese and Western elements has always been a practical activity that has been continuously explored and improved by pipa players, composers and production masters in the past. [0003] A traditional pipa consists of a head, neck and abdomen. Among them, the abdomen includes frets, phases, panels, and chords. When playing, the pipa player takes a sitting position and places the traditional wo...

AI Technical Summary

Problems solved by technology

There are two problems with this way of playing: first, it is limited by the venue and sitting posture, and is not suitable for modern performance occasions that need to walk back and forth on the stage, such as music festivals, outdoor performances, and concerts; second, the traditional wooden The sound of the pipa amplified by the sound has only one timbre, and the sound quality is not pure enough to express the inherent timbre of the pipa well.

However, in the prior art, there is no dual-purpose pipa that can realize the free switching of electroacoustic plus original sound dual sound effects.

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